It takes place in the framework of a process of public tender providing for the adjustment of some stations already operating and historical incorporating popular in the audiovisual world community media and, according to the Federal Authority of Audiovisual Communication Services (AFSCA).
A total of 82 commercial and non-profit, high and low power nationwide channels are part of the bidding process driven by the AFSCA, this morning received proposals for an operator contests (the provider signal infrastructure) and three licensees (suppliers) for profit and non profit.
The most prominent appearance in this scenario is the emergence of media developed by popular experience, a novelty in the television field historically dominated by commercial and private projects on an exclusive regulation.
The opening movement not be more varied set. For instance, in the category of operator license for 10 kilometers on the Barricade compete Capital TV channel, which operates within the factory IMPA of -first Almagro recuperada- a contrainformativa- agenda and takes six years of uninterrupted emission, against the proposal (not working so far) “Christ Solution” by a foundation of the same name. The choice itself symbolizes the criteria of a communications policy.
“This is advance a more plural and diverse television,” said Daniel Larrache, director of the Management and Development of the AFSCA.
“We came up here after twenty years of struggles of the people to build their own communication tools,” reflected the historian Guillermo Caviasca, a representative of the experience of Barricade TV.
In the same category also low power TV channel pairs were presented today, anchored in the Buenos Aires Lujan; Mate Bitter experience, also oriented radio; a proposed new called “Multicolor Argentina” and Urban TeVe Channel 5, which broadcasts to 30 thousand inhabitants of the Villa 31 and now intended to extend to almost all the Buenosairean territory.
“The goal of Urban TeVe was always convey the reality of the place with the imprint that can only come from the place, “he said the former lawmaker Miltiades Peña.
A proposal for profit (Axon Life SA) linked was also presented to the Graduate Congress Foundation, with ties to the Vila-Manzano Group, also contests bidder in high power.
From the social organizations observed expectantly opening up the process to the popular media.
“A lot is still to win as this step is the minimum embryo it shows that the struggle is not only for the report but to conquer positions. We struggled for the full implementation of the Media Law and many more Popular ways to express the promised 33 percent of the spectrum, “analyzed Caviasca.
In the first week of May the AFSCA received 13 bids for the allocation of 7 channels in the City of Buenos Aires. Five for commercial projects that are aspiring Sergio companies Szpolski-Matias Garfunkel (Milone SA), Christopher Lee (Telepiú SA), Raul Olmos (Digital Area SA), Alberto Pierri (Telecentro), Gerardo Ferreyra-Osvado Acosta ( Electroingeniería), Vila-Manzano Group (ADVSPS) and Jorge Fontevecchia (Editorial Perfil).
Two other nonprofit channels intended for “Building TV” is tendered, the channel of the Workers Union of the cosntruccion (UOCRA), the Graduate Foundation Congress and Television Union (SATSAID).
The DTT (Digital Terrestrial Television) was adopted in 2009 and since then the government built infrastructure with the capacity to cover 82 percent of the national territory. Some of the signals that are broadcast on Freeview, in addition to state, today transmitted as “experimental” and seek their regularization in the bidding process underway, ending on May 29.
The initiative the possibility of opening the field of television Argentina historically forged by the private drive. After the opening of Channel 7 in 1951, the remaining channels open Capital Federal TV were tendered to private under President Arturo Frondizi.
Since then the communication map of broadcast TV was not in the area major metropolitan road starts changing processes shareholders and statist (1974) and reprivatizadores (1989). Opening a popular and community media, in that line, it pokes a stage for decades petrified.
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