TV net fishing – Today Digital (Dominican Republic)

A visitor to the Cannes MIPTV audiovisual trade show proof virtual reality glasses to watch TV. EXTERNAL SOURCE

EFE
FEATURE
interest in the audiovisual industry networks has shown in the recent fair MIPTV in Cannes (France), the important international event in this field, which have been marketed in the same package formats and resources necessary to become “viral” in networks.
“fans and audiences have an increasingly important role in the entertainment industry, for its ability to influence the success of content. His power is amplified by the new social networks, “he told Efe Laurine Garaude, director of Reed Midem television, organizer of MIPTV in Cannes.
Although the fundamentals remain” good stories “as pointed Garaude , technology is important because it gives power to the audience and can create better content.
the truth is that the fusion internet and television increasingly takes more flight and after the international expansion of platforms such as Netflix, medium giants as Microsfot Amazon or add to the television production, and also interactively.
for example, Amazon, which produces the first television series Woody Allen has chosen to pilot series chapters show for the audience the evaluate these data and decide what will occur.
on the other hand, the giant online audiovisual distribution Netflix uses advance algorithms to design aspects of their content based on what they will ask the audience.
Viralizarse or die. That is the dilemma of the new television, once demonstrated that increasingly public, young adult, looking at the small screen with eye and hand positions on social networks. Hence programs are increasingly inspired Internet for wider audiences.
For example, the Norwegian talent contest “The Stream”, in which three record companies will choose a new international idol depending on the number of listeners each candidate achieved in the music platform Spotify.
survival is fashionable. Networks are also key in the “reality” survival “Stupid Man, Smart Phone” of the BBC, in which a group of famous demonstrate their ability to survive in inhospitable places, with only the help of your cell phone. The program shows the good momentum of survival programs-in format contests, reality shows or documentary- resorting to increasingly imaginative approaches, such as the prison situation.
Mouseler Virginia, cofounder of the leading the Wit industry trends that made the list of most prestigious developments in the television world, the ability to reach mass audiences or virally is “vital” for the survival of formats. And on that list continues to include the Spanish series “The Ministry of Time”, which after being sold in the United States, Portugal and Latin America, will become the first series of Spanish fiction in being adapted in China. In addition, “The Ministry of Time” which chronicles the adventures of a patrol officials traveling to the past to avoid facts that would upset the course of history has been at the forefront of global innovation, integrating for the first time virtual reality as part of the narrative universe of a series in the world.