In the event ComicsPRO Portland announced the creation of comic The Blacklist, the series created by Jon Bokenkamp and starring James Spader.

For those who do not know, The Blacklist is the successful television series created by Jon Bokenkamp for NBC starring two-time Golden Globe nominee James Spader . The Blacklist tells the story of Raymond “Red” Reddington, a dangerous and smart criminal who decides one day to another surrender and cooperate with the FBI by providing details of what he calls “blacklisted” Enemies of government agencies or suspect their existence. His only condition is that only one such talk Elizabeth Keen (an official rookie).

The series has been well received by the public and the press (74 to Metacritic ), so no strikes me that arise initiatives to further explore the universe created by Bokenkamp. But what is interesting is that The course of adaptation is inverse to that usually seen in the entertainment industry (from television to the squares, where usually are comics that jump to the small screen or large).

Why does this happen? Making TV is very expensive, do not comics (not talking here of difficulty in the “artistic” bill, I simply mention issues of cachet ). Any alien invasion in glaciers in southern Argentina? A writer, illustrator, inker and colorist can do wonders in a short time and little money. Casting , 3D models, chroma , VFXs … costs for the audiovisual world are much greater .

I I wonder what