"When I started working in the US, there were five studies that made fifty films each year; now there are three, that makes fifteen the year and to act on any of them, there are many chances to wear tights and layer," he said.
The polarisation of the industry, divided into "blockbusters" (tapes of big-budget) films and low cost, has generated a flow of talent to the tevé, not only of performers, but also writers and directors such as David Fincher, Paolo Sorrentino and even Woody Allen. "They don’t make films like before. That fiction and creativity was absorbed by the tevé" said Sutherland.
For the director of fiction Sarah Doole, "the film talent is realized that the tele gives them a better canvas to tell their stories."
"There are many stories that simply can’t be told in 100 minutes and needed eight or ten chapters to develop," he said.
The standardization of the high definition and the sound quality made it possible to bring cinema to the living room, in addition to multiply the offer, thanks to platforms like Netflix.EFE
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