A so overwhelming number like 34.6 rating points that measured their return to the TV screen requires reshuffle and give back; “Dancing” bring fiction and “Big brother” today
“Television me!” Could safely say Marcelo Tinelli and no one in the middle would be encouraged to deny the sentence. Although this King media Sun is far from being the absolute monarch of a medium in which there are many who make decisions all the time.
It is true that the most powerful of the Argentina television man during the last quarter century liked to cultivate a cult of personality. For its program parading a host of celebrities, but all segments and sketches begin and end talking about him. However, what it does best Tinelli is to observe, listen, take a look at the landscape that surrounds it, fast forward, rewind and finally decide. Carrying 26 seasons at the top of the rating is more than an awkward chance for those who never stop questioning. It is often said that Tinelli, finally innate political, interpreted as neither the collective mood of society Argentina. What began to happen the night before last shows something even stronger. Nobody like him to understand the flight that same mood, but extended to influential television universe
The average 34.6 rating points that obtained at the start of the 2016 season ShowMatch (the highest audience figure of the last three seasons) can be read as the umpteenth ratification of the infallible intuitive ability of Tinelli. Such strong numbers as the start of the night before last forces the TV to shuffle and deal again.
Therefore, in the perspective of what can happen from here on, the most cost do in the opening is what matters least.
the tango danced Mora Godoy to 65 meters high near the Obelisk is now only matter of interest to the Guinness book of records. And for the political evaluation of Horacio Rodriguez Larreta, who preferred to meet his “friend of life” (as defined by Tinelli night before last) before the responsibilities of a head of government who try not to complicate life without their neighbors, angry as rarely in recent times by the gigantic traffic court willing to arm the device that put the dancer in the air. It was so fleeting that appearance that is even more inexplicable behavior of the head of city government.
Instead, to understand what will happen now would have to pay much more attention to dialogue Tinelli remains in the collective 39 with Adrian Suar, the strong man of artistic management of El Trece. “Today you will become a hero,” he says Suar, paraphrasing Mascherano, the man who, again, take forward from this week’s challenge them battle the other air channels on all fronts for each day, a coveted trophy in the form of payroll rating, which naturally arise other benefits.
Tinelli feel once more that you can do, especially because it shares the goal. While waiting with great caution and patience when leaving the court to impose conditions on the political fight for the future of professional football (perhaps the highest aspiration keeping this point in his life), Tinelli wants to beat everyone fight daily for ratings
to oppose the big winner of the day, the tandem Educating Rita – Moses and the 10 commandments promises fiction. that and nothing appears behind all vanity fair surrounding the “Dancing” and its figures, willing to become such characters that talk about them. They want to gain fame, keep it or lose it, as appropriate.
To measure forces with the unexpected interest increasingly acquired political issues on TV after seven years recovered the “Great Cuñado” which it will move to the beat of the intense and changing today. Before the appearance of masks and parodies, Tinelli managed to call in some real political opening. Of the three who accepted the invitation, Sergio Massa was more comfortable, skillful and clever in his message that his peers. Rodriguez Larreta did not stand out in a little interesting on a bicycle appearance, and Juan Manuel Urtubey was very misplaced, not so much for her role as salesman empanadas, but by the need to comply with a script that forced him to listen to degrading things ( the “perreo”, for example) of your current partner, a well-known actress.
And to measure forces with the new Big Brother , Tinelli insists qualify as reality his “Dancing?”, which this year promises several international figures (with former world heavyweight champion Evander Holyfield at the top) and a succession of wicks that, once activated, will not delay in turning the fire several simultaneous scandals.
All that and more will happen four times a week. Tinelli and troupe parade through the screen into the night, at about 22.30, on Mondays, Tuesdays, Thursdays and Fridays. Intuition driver and his faithful producers determine what will be the time for the “Big Brother in law” is activated after tomorrow’s presentation. Imitators occupy a study that will alternately living, dining and bedroom. And the side there will be a confessional, ideal for examinations of conscience. It will not be strange that things are arranged so there with, at a certain moment, to the real flesh and blood politician is forced to be challenged his “double”. Or is angry and does not want anything to do with satire. A Tinelli serve both options. He knows as much as the public figures involved inevitably the game will have a visible impact on the real world.
We can imagine the world that will be setting on TV from now. All they are looking Tinelli Tinelli and looking at all while presiding a fair varieties (and vain) that doubles as almost perfect synthesis map of broadcast television. And also the way the average Argentine television viewer, that it is not encouraged (by age, interest, taste, identity) to enter the future of behaves streaming , networks social and second screens. There will be dance, political satire, allusions football and a constant presence of the media scene which by definition is pedestrian, puerile and full of vulgarity. What there will be is a big show as the night before last, from which it was suggested to Tinelli a possible future that can hopefully find their place, the protagonist or author of a fiction, preferably in tone comedy. The exceptional appearance of Valeria Bertuccelli suggests a path worth following.
It is difficult to think of the premiere annual ShowMatch as a kind local superbowl. Judging by the numbers, intrigue was enough to attract the screen of The Thirteen to an audience that does not look open TV except on special occasions, like the day before yesterday. It is easy to draw that conclusion when Monday 34.6 points compared to the average on April: ShowMatch it exceeded by more than seven points. This influx of elusive viewers is even more noticeable if the ratings of the five channels are added in the hours ShowMatch: 55.2 rating points, the equivalent of 6 million people. In fact, in Telefe, Moses and the 10 Commandments only lost 1.5 points of rating at the hands of Marcelo Tinelli. Many TV for all.
won decade
Openings Tinelli 2006-2016 (in 2013 was not air)
Year 2006
31.5 rating points
Year 2011
37.1 rating points
Year 2007
27.5 rating points
Year 2012
38.3 rating points
Year 2008
33.8 rating points
Year 2014
30.1 rating points
Year 2009
41.5 rating points
2015
31.5 rating points
Year 2010
30 points rating
2016
34.6 rating points
