Updated August 15, 2016 at 12:00 am
Another attempt of production tica to generate a soap opera international court
Maria , a new proposal that transmits Teletica, represents another attempt in the chain of evidence that seeks to create in the country a product with potential for international market.
The result is certainly national; It is more like theater than other forms of drama, but fortunately is a soap opera. Inflection, pauses and voice impost make it clear. In addition, the novel has more dyes serial soap opera, thirteen chapters is well below the Latin American standard.
Maria has basically two major areas that should be noted. The first relates to the technical bill, where the shortcomings are noticed at first glance. The second section is the script, with factors not present consistent.
The technique. When the script suggests “obligation” -night record in adverse conditions, climate, agrestes- outside and these conditions are unmanageable for production, only one option: to abstain and change the script if the result is not expected acceptable .
in the first installment could be seen in the dark unrecognizable characters engraved backlit, barely visible at night, while some planes -Excessive suffered from overexposure of light. The mixture of different types of quality is noticeable.
It is worth noting that the use of the camera exceeds the teleteatro and seeks a descriptive experience in the recording environment.
The sound, perhaps the weakest of this proposal presents new -nothing dubbing in a national-novel. This happens when the original sound an insufficient level for reading audience; therefore it is essential to fold under study. Additionally, ambient sounds have a little fine management, where simple steps are strong while other sounds have no spatial location.
The use of music should be more consistent, almost regulation. It should be used to guide indicating drama moments, empathy, gentleness and not to fill time when nothing happens
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the script and narrative. Common Fallacy in domestic production, although there are aspects we can mention
Some clichés come from the “audiovisual tradition.”; for example, someone to take the photos in an envelope of a researcher; the key under the mat; the tire exploded. platitudes that do not develop the story itself
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The motivation of actions is not always part of the script. For example, why the taxi Paz takes in the morning? Why Maya comes in the night to the church? Why Erick Paz naked on the beach to give you breathing? There are questions that the audience can become and remain unresolved, because the characters exert -macro actions and micro- without clear motives. After rescuing Paz, Erick holds an extensive and calm chat with the operator to ask the hospital management; then comes screaming sticking to the clinic.
When an audiovisual recording can follow or not the script. If the script says absurd narrative when recording, these must be corrected in this second script, the audience for questions and chews these actions; this added to you, the you and you to make an incorrect but popular proposal personal treatment.
Maria does a good effort to portray Costa Rica and equipped to classic telenovela frames: both objectives can not be liked by the audience. If you can ignore the here mentioned points, no doubt you will see a product that rarely occurs in Costa Rica, with spaces and national character and that has value.
I recommend you see it and yourself judge
Technical
Program. ‘Maria’
Channel: Teletica 7
Hours: Saturdays at 10 p. . M
Production: Brown Television
Starring: Gerard Elizondo and Adriana Mendoza
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